I used to share my presets for free, but now I'm doing it commercially, so I removed all the download links for older firmwares. Check my quantum 2.0 thread for the details. However, if you want the presets for an older firmware you're still using, send me a message on

Tuesday, 2 October 2012

Firmware 7 banks - Update

I've finished updating my Bank A to V7 firmware ; many presets were still untouched still V6, others had little mistakes I wanted to correct. So here's a new video with many updated presets, but also new ones. Banks B and C have been updated too.

Here's some details about the new or updated presets. For all the other presets, see the 22 September thread :

1st bank (001-009) :
005 TDR JCM 800 crunch : Took its spot back as my main Marshall crunch sound. Slightly tweaked from previous Bank C version. Exp pedal controls adds gain.
Minor tweaks (less reverb) to presets 006 and 007. 

2nd bank (010-019) :
013 Metal rhythm DRY : Mistake corrected from previous version (I removed the controller on the drive). The exp. pedal controls the expander/gate's threshold.
014 Metal rhythm WET : Exp. pedal now alternates between the normal sound and a “AM radio” sound.

Banks 030-049 :
030 With or without U2 : slight tweaks for a fatter sound.
031 Streets have no name : slight tweaks for a fatter sound.
035 Magnificent 1 : Updated to V7. Exp. Pedal controls the whammy
036 Magnificent 2 : Updated to V7. Exp. Pedal : toe down clean, toe up drive (for the breaks, and the solo)
037 Magnificent 3 : Updated to V7. I use this for the verses (toe down) and the break (toe up) before switching back to preset 036 for the chorus.
038 Still haven't found : Updated to V7. Exp. pedal Adds gain. Note that the multidelay should be on, I inadvertably stored the preset with the block off.
040 Elevation intro : Updated to V7. Thanks to RACA for the pitch control idea ; it's not the same effect as on the album but it works.
041 Elevation verse/chorus : Updated to V7. Exp. Pedal lowers the gain for the verses.
042 Elevation tremolo : Updated to V7.
043 Vertigo : Updated to V7. Exp. Pedal adds delay for specific parts of the song.
044 Sunday bloody Sunday : Updated to V7. Exp. Pedal adds gain for the harmonics and the solo.
045 Speed of sound CLN : Updated to V7. This is a special take on the Coldplay song, I play the piano melody with this sound. Exp. pedal is used for swells.
Here's an old Version on the Axe Standard :

046 Speed of sound crunch : Updated to V7. Used for the second part of the verses.
047 Speed of sound DRIVE : Updated to V7. Used for the prechorus and chorus. I switch to the neck position of my pickup selector for the chorus.
048 All I want is U2 : Updated to V7. Exp. Pedal adds drive for the lead part of the song.
049 Pride : Updated to V7. Exp. Pedal adds drive for the short lead part.

Banks 050-079 :
051 A tout le monde RTM : Updated to V7
052 A tout le monde LEAD : Updated to V7.
053 A tout le monde harmony : Updated to V7. Added enhancer on the harmony part. Exp. pedal alternates between two custom scales of the harmonizer, for the end of this Megadeth song.
Here's the custom scales, starting from 'A' SHIFT :
custom 1 : 3,3,5,5,4,3,4,3,3,4,3,4
custom 2 : 3,3,5,5,5,3,4,3,3,4,3,4  
Remember that I tune in Eb ; this is for playing the song in F# on an Eb tuned guitar. 

054 2nd chance crunch/hard : Updated to V7. Alternates between crunch and heavy rhythm sound. I changed the curve to add drive to the crunch sound before morphing into the heavy rhythm sound. This is for a Shinedown cover.
057 Message in a bottle : New preset, replaces “Andy's message”.

The two following presets have not been updated but wasn't presented in my 22 September post :
070 Bogner XTC Blue RTM : An alternate heavy (toe down)/crunch (toe up) rhythm sound. I use it on songs like “Blurry” by Puddle of Mud and “Open your eyes” by Alter Bridge..
071 Bogner XTC Blue wha : Same sound as 070 but the exp. pedal controls the wha instead of the gain.

072 Bogner XTC lead : Volume raised.
073 Numb : Minor tweaks to the synth sound which was too loud. I made a a little brighter too. Toe up I play the synth melody (a big thanks to user Simeon who helped me get closer to the original synth sound), toe down, a clean counter melody backing.
077 Recto red Mdrn LD : Volume raised. I use this for the lead on “Nothing else matters” by Metallica, and for my cover band version of “Numb” (see my 22 September post for a video).

New presets :
081 Friedman OH Beta test : A preset to test Ownhammer's new Beta IRs. See this thread to download them :
I used the following IRs : V31 TC30 WF-4 (user cab 31), V31 SM57 WF-4 (user cab 32)
082 Recto Or OH beta LD test : Another test of the new IRs.
083 Recto Or OH beta RTM test : idem

084 Astral flight : A new preset, which I also uploaded to AxeChange. See this thread :
085 Variax : A new preset for the acoustic model of the Variax JTV 89 guitar. See this thread :
086 Diezel VH4 CH3 test : I wanted to try using a second cab block as a short reverb, with predelay, here's the result.
087 Mono/stereo metal RTM test : Another new preset, also on AxeChange, see the “four new presets” link above.
088 Morphing clean-crunch : New preset, see this link :
089 Morphing crunch-rhythm : Idem.
090 Morphing clean-crunch : Idem.

094 Al Di Meola Man of Leo : A tweaked version of the “Ultimate Dumble” preset to play an old Al Di Meola solo from the album Stomu Yamashta - Go Live From Paris (1978).
I did a (perfectible...) cover of this on the Standard (with a much different sound) :  

127 TDR's looper lead : Many tweaks from the previous version, preset is also on AxeChange, see the “Four new presets” link above.

Banks B and C :
Some additions from other users presets (208, 209 in Bank B ; And in Bank C : 316, 319, 320, 321 – I tweaked the last three... I also tweaked preset 290).

For 379 Bass dual 1 and 380 Bass dual 2, see this thread :

Thursday, 27 September 2012

Morphing between two amps - with presets

Here's a short demo of using morphing in dual amp presets :

Here we have :
- A clean/crunch preset :
- A crunch/rhythm preset :
- A rhythm/lead preset :

Two of these presets uses this IR (user cab 20 in my Axe, check the cab block) :

usually I have individual presets for each of these sounds, but morphing between them is also fun : transition is seamless with an expression pedal (External 1), which also control delay, reverb or modulation mix. Enjoy :)

Tuesday, 25 September 2012

Tweaking a dual amp bass preset

Here's a little trick I always use when recording bass guitar in a DAW : doubling the track, with a LPF on one and HPF on the other, both separated by a crossover around 250 hz. This way I can add drive on the HPF channel while keeping solid bass frequencies on the other - because the more drive you add, the more low frequencies you lose.

For this video I used an Ibanez with 3+ years old strings, they're almost dead so with new strings tweaking will be necessary.

Preset on AxeChange :

Tweak to your linking !

Note : HPF = High pass filter, LPF = Low pass filter

Edit 26/09 : There's a demo of a newer version of the preset on soundcloud, I replaced the crossover blocks by filters, and I control the crossover frequency with an expression pedal :

Monday, 24 September 2012

Four new presets on AxeChange

I uploaded four presets on AxeChange yesterday. Hear a short demo here :

4 presets demo

The first one is something I programmed on a Boss SE50 in 1993. I used this quad delayed pitch shift on a song called "Astral flight" (see the video on my "Free download : TDR Project" post)

The "Metal rhythm" preset is an example of alternating between two EQs for a given sound. Here it's a bit extreme, I go from a normal metal rhythm sound to a "AM radio" sound. It's perfect for intros, it never fails to take people by surprise. Bulb uses this trick on the intro of this Periphery song :

By the way, Bulb's (Misha Mansoor) parents are from Mauritius, where I live. We try to jam each time he comes here. "Here" being this, for you Google earth users (right click, save as) :

Yeah, I know, that's quite remote, someone (hi Pete !) already told me so ;)

I made the third preset as an example of what is possible when morphing between two amps. I exchanged some mails with someone who requested my presets in which we talked about morphing between sounds, then I remembered a preset I made but lost. I recreated it yesterday. The fun trick here is the stereo span in the middle of the curve of the expression pedal.

The last preset is a slightly improved version of my looper patch, see from the 21th minute of this video :

I'm still not 100% satisfied about it, I'll work on the tape delay again, I want it to come more slowly but to go a little bit louder each time I stop playing.

Saturday, 22 September 2012

Free download : TDR project

"TDR Project" is an all instrumental (rock, metal, progressive) album I recorded in my home studio in 1993. I played all the instruments, including bass, small keyboard parts, drums programming (on a Alesis SR16 and a Roland R5) and guitar synth (on a Casio guitar). There's one guest, a friend called GĂ©rard Adam, on track 4, "Urban syndrome". He trades licks with me, that's him on the slide guitar.
I recorded this on a 8 track tape machine, a Tascam TSR-8, mixed it on a Sony DAT recorder and released the album on cassette. Years later, I transfered the DAT recording to my computer, when I got my first PC.

Here's what I used for the album :

Guitars : Ibanez SR something (Satriani style black guitar), Yamaha RGX1212 (which was my first good guitar, I got it in 1988), a Casio synth guitar, Yamaha RBX 300 bass, and a cheap Ovation-like guitar for "Song for Katmandu"
Processors : Art SGX 2000, Boss SE50, a Boss studio compressor. I used the Boss SE50 for the delayed harmonies of "Astral flight" (guitar) and the echoes on the drums (all the song) and the bass (in the intro).
Drum machines : Alesis SR16, Roland R5
Alesis 1622 mixer
Tascam TSR-8

I recorded the guitars direct, using the Art SGX 2000 speaker simulator.

The album has 10 tracks, here I included tracks 11-13 as bonus. Tracks 12 and 13 were both recorded for the local television. on "One minute to live", I used the Art's pitch shifter as a pseudo whammy, controlling the pitch with my expression pedal ; it doesn't glide well, you can hear the 12 half steps. On "Cyberfreak", recorded in 1994, I used a Zoom 9050.

All the songs are now on my Soundcloud page, with the downloads enabled :

There's a video of the song "Astral Flight" here :

Yesterday I uploaded a preset for that one one AxeChange, it uses delayed pitch shifting

Another video, of the bonus track "Cyberfreak" :

Axe Fx presets - a presentation

Because of my youtube videos, available at , I got a lot of requests for my Axe Fx II presets. I got a little more than 400 requests since I uploaded that video :

Although I share everything for free, presets and free user IR (impulse response) for the cabinet block, I will gladly accept any donation via Paypal from users which find my presets useful to them. This will help me buy a better MIDI foot controller for my Axe Fx. Right I'm using a Rocktron MidiMate and I'm considering buying something more professional, with metal switches, more expression pedals sockets etc... 
Please use this email for paypal donations : 
It's not mandatory of course :)

So, let's talk about the sounds now. My banks always are a work in progress : I love to tweak and I update my banks constantly, following firmware updates of the Axe Fx, adding/customizing presets from other users, programming new sounds for songs I need to cover with my two bands... In this blog, I will constantly update the links to allow anyone to download the latest versions of my three banks. Here's the latest one, right click, save as :

So here's how my presets are organized :
Bank A is for live use (note that all my U2 presets from 035, "Magnificent 1", to 049, "Pride", have not been updated to V7 ; I was about to complete this this when the flu caught me)

My banks B and C are some sort of archives of sounds, classed by genre. Hi gain and blues/blues rock in Bank B, Marshall, Vox, cleans and special effects in Bank C. Those banks contains presets from all sort of sources : stock presets, presets from other users that I've tweaked or left untouched (quite rare), personal experiments...
The first presets in Bank B, starting with the filename "TDR", are recreations of my favorite presets of my Axe Standard years, I compared them using an Ultra I borrowed from a friend.

You'll also notice that I use a lot of delay and reverb, a David Gilmour influence probably :)

Be sure to test your expression pedal (external 1) on every preset, at least for bank A. I spent a lot of time adding fancy tricks to my presets that way. As I have only one expression pedal on the Midimate, I do everything with one pedal. Because of that, I don't have a volume control on my presets but I tweaked them to be well balanced for live use. Here's a video I did with the Axe Standard a while ago, showing some expression pedal use (I translated those presets to the Axe II since) :

Important : note that for most of the covers I play, I'm programming sounds that suits my ears, my playing technique and my guitar for the song, and not a wannabe perfect tonal recreation of the original sound. Not also that I tune in Eb, and always play in stereo, on a FRFR setup. Output 1 of the Axe FX goes to FOH (Global EQ untouched), output 2 to a Matrix GT800FX into a Harley Benton 2x12 cabinet with Beyma speakers ; Glogal EQ settings : -2 @ 2k, +6 @ 8k, +12 @ 16k, every other EQ band at 0).
Here's a video of this setup :

Let's talk a bit more about my "live" bank now, bank A.

There, presets are organized in banks of ten - except the first one which has only nine presets : the button "0" in the Rocktron MidiMate's first bank is inactive.
So, the first bank contains my 9 basic sounds. Besides preset 005, based on a preset by Fractal user Simeon (which I just added to this bank ; not long ago I was using preset 269 of my bank C, "TDR JCM 800 crunch"), these are original sounds, based on what I was using on the Axe Standard.
These 9 sounds are also classed from cleanest to dirtiest, starting with my Acoustic clean preset and ending with a high gain lead.

Here's a description of some presets, and what the expression pedal controls on those :

1st bank (001-009) :
001 Acoustic clean : brings the rotary effect. This preset is for simulating an electro-acoustic guitar with a standard electric guitar (non piezo) ; it's tweaked for my Ibanez RG520QS with DiMarzio Norton in bridge position, DiMarzio Liquifire in neck position.
002 JC120 Ultraclean : allows me to do swells and add spacious reverb and delays. But fully pressed, the delay disappears, and the reverb is quieter. For the effect to work, use the expression pedal from 0 (toe up) to almost full, but not full.
003 Dual punchy clean : the exp. pedal morphs between a normal clean "fendery" sound, a tremolo and a rotary.
004 AC30 CLN/crunch : My basic Vox (not so) clean sound, the exp. pedal adds drive.
005 SH Plexi 2 : The exp. pedal adds drive. This is a preset by user Simeon.
006 Friedman crunch : The exp. pedal lower the drive
007 Friedman rhythm : idem. This is my main rhythm sound for mainstream rock.
008 Cornford lead II : wha.
009 TDR USA LD2+ LEAD : wha.

2nd bank (010-019) :
010 JC120 phaser : based on my preset 002 ; this time, the exp. pedal adds a phaser
011 Vibrato verb clean : another clean "fendery" preset, less compressed than preset 003 ; the exp. pedal controls a filter which acts as a soft wha wha, which don't suck the meat (low mids) of the sound, like a real wha wha would.
012 Friedman heavier rhythm : exp. pedal lower the drive. This is a slightly heavier version of preset 007.
013 Metal rhythm DRY : a bare bones dry metal rhythm sound. The exp. pedal alternates between two gate settings (I did that before knowing that the expander/gate's threshold was now controllable via CC ; Axe Edit didn't display the parameter). I use the pedal toe up for tight djent rhythm. Important note : there's a mistake in the version I uploaded or sent to many users, the controller on the drive mix should be removed ; the mix in should stay at 100%.
014 Metal rhythm WET : a wetter version of previous preset. Exp. pedal controls the drive. But I'll soon change that to add the trick I use in "Faster" (see below)
015 Sweet child rhythm : Exp. pedal controls drive. I play the intro melody toe down, the backing toe up.
016 Sweet child lead : wha.
017 Fusion lead : drive again. I use this sound for jazz rock or warm, not so gainy leads.
018 Bogner whammy lead : whammy obviously. The effect disengaged in toe up position with the pedal.
019 Friedman BE Lead 01 : drive - using both the mix of the compressor, the mix of the drive pedal and the imput trim of the amp block.

I won't enter into the details for all the sounds for the remaining banks, but here's some :

3rd bank (020-029) :
021 Boulevard intro : I start the song (only the sliced electric guitar) toe up, then bring the acoustic toe down.
022 Boulevard verses : toe up adds in a delay which repeats the chords of the two previous measures, allowing me to play the melody on top. Quite fun !
025 Black hole clean : controls the rotary mix.
027 Talk box rhythm : Controls the formant filter. I use this for "It's my life" by Bon Jovi.
029 Autowah lead : this is the lead sound for "Boulevard of broken dreams". Recently I added my "delay's feedback controlled by envelope" trick for the fun, the lead repeats while I switch on the acoustic sound (020) before the end of the song.

other banks : 
030 With or without U2 : controls the shimmer level. I adapted the drive and amp settings from user Simeon for V7 ; before I was using cleaner settings, as shown on this video : 

Yes, I love to improvise on that one ;)

031 Streets have no name : controls the drive level ; I had a bug with that one when I tested it in V8, it should not be "gainier" than preset 30, there's a CC mess up with the drive. Will check that soon. Here too I adapted the drive and amp settings from user Simeon.
032 E-BOW : for the intro of "With or without you". Play a note with the exp. pedal toe down, then raise the pedal for infinite sustain.
033 One clean : exp. pedal lower the rotary and add some dirt.
034 One lead : lower the drive

Note : the following U2 presets have not been updated to firmware 7 yet ; they are too compressed
035 Magnificent 1 : whammy
036 Magnificent 2 : toe down clean, toe down drive (for the breaks, and the solo)
037 Magnificent 3 : uses this for the verses (toe down). Obviously I didn't copied the original, instead I add some crystals, which gives a huge stereo sound. Use "toe up" for the break before switching back to preset 036 for the chorus.
043 Vertigo : adds delay for specific parts of the song
048 All I want is U2 : adds drive for the lead part of the song.

Presets from 050 to 059 has not been updated to V7 either, but should sound fine.
053 A tout le monde harmony : alternates between two custom scales of the harmonizer, for the end of this Megadeth song. Here's the custom scales, starting from 'A' SHIFT :
custom 1 : 3,3,5,5,4,3,4,3,3,4,3,4
custom 2 : 3,3,5,5,5,3,4,3,3,4,3,4
Remember that I tune in Eb ; this is for playing the song in F# on an Eb tuned guitar.

054 2nd chance crunch/hard : alternates between crunch and heavy rhythm sound, this is for a Shinedown cover.
058 Bogner XTC Blue : This is originally a preset by user mattfavs :

I tweaked it to adjust it to my guitar and changed the layout.

059 Shadow of the day : toe down for the softer part of this Linkin Park song, toe up for the lead and the ending.
060 Faster RTM -4 : I use this to play "Faster" by Within Temptation on a Eb tuned guitar, with a -4 transpose in the pitch block. Expression pedal toe up gives me a "telephone" sound for the intro.
061 Faster RTM -2 : I  use this to play "Faster" by Within Temptation on a Eb/drop C# tuned guitar, with a -2 transpose in the pitch block. Expression pedal toe up gives me a "telephone" sound for the intro.
062 Faster LEAD : My lead sound for "Faster." No transpose via the pitch block this time, so I play the solo part in C and the rest of the song either in E (preset 060) or D (preset 061). Expression pedal controls the wha.
063 Run to you crunch : One of those presets I need to work on more. Exp pedal alternates before the clean/crunch arpeggios and the lead.
064 Sultans of swing : toe up adds drive, which I need for the end of the song (live Alchemy version).

065 Shimmer : I use that preset to play some string melodies in the "There is no pain you are receding" parts of "Comfortably numb" by Pink Floyd.
066 Comfortably rhythm : rhythm sound for "Comfortably numb" by Pink Floyd. Delay is in the tempo. Exp. pedal alternates between drive (verses) and the "There is no pain you are receding" parts.
067 Comfortably lead : Lead guitar sound for "Comfortably numb" by Pink Floyd.
073 Numb : Toe up I play the synth melody (a big thanks to user Simeon who helped me get closer to the original synth sound), toe down, a clean counter melody backing.
Here's a "special" version of the song, shot during a rehearsal at home :

075 Nothing else matters CLN : I use this for the Metallica song. Toe up adds shimmer.

Presets 082-089 are temporary test presets. Preset 082 may soon replace preset 019 as a lead sound, I like it a lot.

095 Ultimate Dumble : My favorite Dumble preset yet. I started from another user's preset for that one (see preset 105 below) but I can't remember who :/
096 AtmoSynth Sim : A preset from user Simeon. I put my own hi gain lead sound in and tweaked the chords played by the synth as I tune in Eb. The exp pedal alternates between two chords. Video on facebook :

097 Lukather Lead : A work in progress ; I programmed that while learning the solo from "Rosana".
098 Pachelbel : See this video :

The backing "cello" notes are controlled by the sequencer. I needed a lot of trial and error to get those right. The two delays plays the role of the second and third violin. See an older, but complete, version on the Axe Standard here :


099 Firth of Fifth : Again, a preset from user Simeon, which I tweaked a little. See a video on facebook :

I went a little crazy with this one, as usual

Bank 100-109 is for blues and fusion. I did a video for that too :

Presets in this bank are from various sources : stock presets, users like Buddy Gill (Austinbuddy in the FAS forum - presets 107 and 108) or Tyler Grund (Gamedojo on the forums) ( - preset 101, and in bank B, presets 226-227-228). I use a couple of his user IRs too, be sure to visit his blog and donate if you find them useful. For comparison purposes, here's a video I did while testing blues presets on an Axe Standard. That was with a really bright Strat so it's not really a valid comparison :

Yeah the Axe Standard rules too ;)

110 Touching Tongues : This is for a Steve Vai song. exp pedal controls the wha.
111 Touching Tongues 2 : exp pedal controls the whammy.

112 Major penta harmonies, 113 Arabic harmonies :
These two presets uses custom scales in the harmonizer. Hear the effect here : Custom harmonies
Here's the custom scales for them, for a guitar tuned in Eb. If you tune in E standard, you'll need to play in Eb arabic for preset "Arabic harmonies", and Ab major for the "Major penta harmonies"
113 Arabic harmonies : Custom scales 3 (Voice 1) and 4 (voice 2)
112 Major penta harmonies : Custom scales 5 (Voice 1) and 6 (Voice 2)
Custom scale 3 : starting from 'A' SHIFT : 4 semi,3,4,4,3,4,4,4,3,4,3,3.
Custom scale 4 : starting from 'A' SHIFT : 7 semi,9,9,8,7,6,7,7,8,9,6,7.
Custom scale 5 : starting from 'A' SHIFT : 3 semi,3,3,3,4,5,5,4,5,4,3,4.
Custom sclae 6 : starting from 'A' SHIFT : 8 semi,7,8,7,8,7,7,8,7,7,8,7.

114 Brian May delay AC30 : I think I got the basic AC30 settings from another user. I tweaked it and added the stereo delay of  the "Live killers" version of "Brighton rock". I always use this preset during soundcheck to check if the sound engineer is panning my sound in stereo in the FOH like it should be.

115 Bag pipes MC A Drone : this is a preset from another user, Mark Cullen ( ), I just changed the drone note and control it with an expression pedal to play songs like "Biko" by peter Gabriel.

117 Slicer tests : A preset originally by Simeon, to show an example of a slicer effect, an effect available in Boss GTx series pedals. I kept his phaser and vol/pan settings and added my own drive/amp/cab. I used the phaser/vol block settings as a basis for my "Boulevard of broken dreams" presets.
118 velvet sun : tweaked stock preset. I added a delay which is controlled by envelope : the repeats are audible only when I play staccato.
119 The Wall pt 1 : For the Pink Floyd song. Based on the tweaked velvet sun preset.
120, 121, 121, 124 are tweaked stock presets.
123 SuperMoog Filtatron : A Simeon preset, left untouched.
125 Violin ensemble 2 : A Simeon preset, tweaked a little.
126 Violin3 : Another user's preset (I unfortunately can't remember who, maybe Simeon again), which I tweaked a little.
127 Looper test : One of my favorites. I tweak/demonstrate it in real time in my latest video, and talk about it in the dedicated thread ( ). Soon, I'll work further on it. How to use it : put the guitar's volume pot on 0, strum a chord, open the volume pot an hit the "record" button of the looper. Record something like 5-10 seconds. Hit stop. Then lower the expression pedal and solo on top. Each time you stop playing, the echoes will haunt you ! :) You can also play with the clean sounds (toe down)
128 Double clean + shimmer : Another one of my favorite original sounds. I combined my acoustic preset (left channel) and a clean "fendery" sound (right channel) with shimmer. I did a video with that preset :

Here's also a dedicated thread ( ). As shown in my 38 minute video, there's another version of this preset in bank C (preset 317, "Triple clean")

Well, this is it for bank A !


About me, a bio

About me

Thibault de Robillard, age 46, born in France but resident in Mauritius, guitarist for 30 years, self-taught sound engineer, occasional rock guitar teacher ... All as an amateur, as my profession is sub-editor in a newspaper.

Regarding music and guitar, I'm primarily a fan of rock and metal, from hard rock of the 70s to today’s mainstream rock and metal. The list of my favorite bands is very long. It started with Deep Purple, Led Zeppelin, Thin Lizzy, UFO, Blue Oyster Cult, Van Halen, Rush, then there were the big eighties metal acts (Iron Maiden, and others), nineties thrash bands (Metallica, Megadeth, Anthrax, Sepultura, Coroner, Mekong Delta...). I've also always been a big progressive rock and progressive metal fan (Rush, Yes, Pink Floyd, IQ, Marillion, Porcupine Tree, Fates Warning, Queensryche, Dream Theater ...). My favorite artists of recent years are Porcupine Tree, Oceansize, Dream Theater, Devin Townsend, Ark, Marillion, Between the Buried and Me...

My favorite guitarists are currently Guthrie Govan, Andy Timmons, Ty Tabor, Ron Thal, Nuno Bettencourt, Brett Garsed, Chris Poland, Richie Kotzen ... Over the years I've appreciated the work of Richie Blackmore, Eddie Van Halen, Alex Lifeson, Jimmy Page, Frank Zappa, Nono (of the French band Trust), Randy Rhoads, Buck Dharma, Ted Nugent, Michael Schenker, Jeff Beck, Frank Marino, Uli Jon Roth, Eric Clapton, David Gilmour , Allan Holdsworth, Al Di Meola, John McLaughlin, Rory Gallagher, Brian Robertson, Joe Satriani, Steve Vai, Yngwie Malmsteen, Gary Moore, Adrian Smith, Michael Lee Firkins, Jan Cyrka, Jason Becker, Kee Marcello, Greg Howe, Tommy T . Baron, Michael Romeo, Devin Townsend, Scott Henderson, Shawn Lane, John Petrucci, Blues Saraceno, Stevie Ray Vaughan, The Edge, Tore Otsby, Jon Finn, Carl Verheyen, Marco Sfogli, Buckethead, Alex Skolnick, Steve Morse, Eric Johnson, Marty Friedman, Mike Keneally, Paul Gilbert, Matthias Eklundh, Robben Ford, Derek Trucks, Joe Bonamassa, Tommy Emmanuel ...

In my musical career, my main group was feedback (
1987-1998 and 2007-2008, the group is currently inactive), who released a cassette, "Poison or cure", in 1991, and a CD, "A Moment of Transition", in 2009 (reviews here: , ). I released a solo album, "TDR Project" in 1993 ( ) ; these are songs I recorded on an 8 track tape machine, playing all instruments (including programming a drum machine etc.) in my home studio in 1993, with limited means, so the sound is not up to date with today’s standards. I also played / collaborated with many musicians in Mauritius in other genres than rock, such as Kaya (Racinetatane), Tian Corentin, Natir, Street Brothers, Lynley Marthe, Neshen Teeroovengadum, Gerard Bacorilall and many others. I was also the second guitarist of a metal band from Reunion island, Nazca (Reunion is 25 minutes from Mauritius by plane). Other collaborations with foreign artists include guest guitar solos for Fabien "ADN" Labonde (France), Private Pepper (France) or Conquest for Death (USA) ; extracts are available on my Youtube profile ( ). I currently play in two cover bands, Metropolis (classic and mainstream rock) , who performs regularly at the Z Club in Grand Bay, and Perfect Strangers (classic rock).

As a sound engineer I recorded / mixed numerous albums, in Cassiya’s studio, in my own or elsewhere. I sometimes record demos for local rock bands, or mix/master recordings made in other local studios. As an avid guitarist and guitar buff, I am active in some foreign forums dedicated to music and the guitar. I also worked voluntarily in French fanzine "Your Majesty", dedicated to Dream Theater, and covered Dream Theater's concert in Singapore for them.

Some songs of Feedback are available on the group's myspace page at (
but these are old mixes, prior to the final versions of the CD released in 2009). The album was recorded before I bought the Axe Fx, so for my guitar sounds I used a Marshall Valvestate amplifier and Amplitube 2. Here's a lick from the song "Cursed" :

Two videos from our "A moment of transition" album : 
The Quest :

Until tomorrow :

That was for the local television. Unfortunately the TV guys came with only one camera and asked us to play in playback, and the editing is sometimes really terrible, with bad audio/video sync, specially for the close-ups on the drummer.

Another one, live version of "priceless innocence" :

From the same show :

This one was recorded in Reunion island in 1998 :

Reunion island again, this time in 1994 :

And the older Feedback video I could find, a Rush cover, from 1988 :